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Akutagawa Ryūnosuke was a respected author in pre-WWII Japan. He was well-read, and having received a Westernized education, his work blends traditional themes of Japanese culture with Western concepts. This edition collects the handful of English translations in the U.S. public domain of his nearly 200 short stories. The stories deal with a variety of themes and concepts: “The Nose” is a tale about vanity and perception of one’s image, “Rashōmon” deals with morality in the face of necessity, and “The Story of a Fallen Head” is an anti-war story. Akutagawa often ends his stories with a reflection related to the plot, spoken either by a character or by the narrator to the reader.

Dmitri Karamazov and his father Fyodor are at war over both Dmitri’s inheritance and the affections of the beautiful Grushenka. Into this feud arrive the middle brother Ivan, recently returned from Moscow, and the youngest sibling Alyosha, who has been released into the wider world from the local monastery by the elder monk Zossima. Through a series of accidents of fate and wilful misunderstandings the Karamazovs edge closer to tragedy, while the local townspeople watch on. The Brothers Karamazov was Fyodor Dostoevsky’s final novel, and was originally serialised in The Russian Messenger before being published as a complete novel in 1880. This edition is the well-received 1912 English translation by Constance Garnett. As well as earning wide-spread critical acclaim, the novel has been widely influential in literary and philosophical circles; Franz Kafka and James Joyce admired the emotions that verge on madness in the Karamazovs, while Sigmund Freud and Jean-Paul Satre found inspiration in the themes of patricide and existentialism.

Edmond Dantès is a young man about to be made captain of a cargo vessel and marry his sweetheart. But he is arrested at his pre-wedding feast, having been falsely accused of being a Bonapartist. Thrown into the notorious Château d’If prison, he eventually meets an ancient inmate who teaches him language, science, and passes hints of a hidden fortune. When Edmond makes his way out of prison, he plots to reward those who stood by him (his old employer, for one), and to seek revenge on the men who betrayed him: one who wrote the letter that denounced him, one that married his fiancée in his absence, and one who knew Dantès was innocent but stood idly by and did nothing. The Count of Monte Cristo is another of Alexandre Dumas’ thrilling adventure stories, possibly more popular even than The Three Musketeers. Originally serialized in a French newspaper over the course of a year-and-a-half, it was enormously popular after its publication in book form, and has never been out of print since. Its timeless story of adventure, historical drama, romance, revenge, and Eastern mystery has been the source of over forty movies and TV series.

Dracula is one of the most famous horror novels, responsible not just for introducing the eponymous Count Dracula, but for laying the foundations for many of the common tropes we see in modern horror fiction. Count Dracula isn’t the first vampire to have graced the pages of Western literature—that honor belongs to Lord Ruthven in “The Vampire,” a short story by John William Polidori—but Dracula is the vampire on which the modern vampire trope is based. Dracula wasn’t as famous in its day as it is today; readers of the time seemed to enjoy it as nothing more than a good story, and Stoker died nearly penniless. But its long-lasting influence is undeniable, and for all its age Dracula remains a gripping, fast-paced, and enjoyable read.

Crime and Punishment tells the story of Rodion Raskolnikov, an ex-student who plans to murder a pawnbroker to test his theory of personality. Having accomplished the deed, Raskolnikov struggles with mental anguish while trying to both avoid the consequences and hide his guilt from his friends and family. Dostoevsky’s original idea for the novel centered on the Marmeladov family and the impact of alcoholism in Russia, but inspired by a double murder in France he decided to rework it around the new character of Raskolnikov. The novel was first serialized in The Russian Messenger over the course of 1866, where it was an instant success. It was published in a single volume in 1867. Presented here is Constance Garnett’s 1914 translation.

Jane Eyre experienced abuse at a young age, not only from her aunt—who raised her after both her parents died—but also from the headmaster of Lowood Institution, where she is sent away to. After ten years of living and teaching at Lowood Jane decides she is ready to see more of the world and takes a position as a governess at Thornfield Hall. Jane later meets the mysterious master of Thornfield Hall, Mr. Rochester, and becomes drawn to him. Charlotte Brontë published Jane Eyre: An Autobiography on October 16th 1847 using the pen name “Currer Bell.” The novel is known for revolutionizing prose fiction, and is considered to be ahead of its time because of how it deals with topics of class, religion, and feminism.

Mary Shelley (then Godwin) and Percy Bysshe Shelley were visiting their friend Lord Byron in Geneva one rainy summer. With the weather against them, they decided to spend their time writing ghost stories for each other. Frankenstein is Mary Shelley’s submission to their contest, later published anonymously in 1818. Victor Frankenstein, a strange but brilliant scientist, discovers a method of imparting life to inanimate matter. The Monster is thus born: a hideous, 8-foot-tall creature of muscle, speed, and intellect. Frankenstein’s rejection of his appalling creation sends it into a spiral of despair, and Frankenstein’s life is never the same. Considered by many to be the first science fiction novel, Frankenstein is a powerful narrative that explores complex themes of belonging, morality, and the consequences of the power over life and death. This edition is based on Shelley’s revised 1831 edition.

The Picture of Dorian Gray was first published as a serial in Lippencott’s Monthly Magazine, and the publishers thought it would so offend readers that they removed nearly 500 words without Wilde’s approval. Wilde soon expanded it and republished it as a novel, including a short preface justifying his art. Even though his contemporaries considered it so offensive that some argued for his prosecution, Dorian Gray today survives as a classic philosophical novel that explores themes of aestheticism and double lives. Couched in Wilde’s trademark cutting wit, Dorian Gray is still being adapted today, with Dorian and his moldering portrait remaining cultural touchstones.

“Call me Ishmael” says Moby Dick’s protagonist, and with this famous first line launches one of the acclaimed great American novels. Part adventure story, part quest for vengeance, part biological textbook, and part whaling manual, Moby Dick was first published in 1851. The story follows Ishmael as he abandons his humdrum life on shore for an adventure on the waves. Finding the whaler Pequod at harbor in Nantucket, he signs up for a three-year term without meeting the captain of the ship, a mysterious figure called Ahab. It’s only well into the voyage that Ahab’s thirst for vengeance against the eponymous white whale Moby Dick—and the consequences—become clear. The novel is semi-autobiographical: Herman Melville had had his own experience of whaling, having spent a year and a half aboard a whaling ship and further years traveling the world in the early 1840s. Melville used the knowledge gained from his experiences and wide reading on the subject to furnish Moby Dick with an almost encyclopedic quality. The literary style varies widely, veering from soliloquies and staged scenes to dream sequences to comprehensive lists of ships’ provisions, but everything serves to further detail the world that’s being painted. Presented here is the New York edition, which was published later than the London edition and reverted numerous changes the original publishers had made, as well as including the initially omitted epilogue.